P.S. that letter needs re-writing. It sounds bitter and desperate to me. Kinda like when you stop talking to a chick who really dug you, then she gets with some other dumb ass and takes pictures of them hanging out and doing all kinds of lovey-dovey shit and sends them to you trying to make you jealous and shit but she wishes she was still with you. the "P.S" part sounds cheesy too.......yeah, so I need to re-write that letter.
Thursday, April 23, 2009
Monica
P.S. that letter needs re-writing. It sounds bitter and desperate to me. Kinda like when you stop talking to a chick who really dug you, then she gets with some other dumb ass and takes pictures of them hanging out and doing all kinds of lovey-dovey shit and sends them to you trying to make you jealous and shit but she wishes she was still with you. the "P.S" part sounds cheesy too.......yeah, so I need to re-write that letter.
Monday, December 08, 2008
Portraits
Sunday, July 13, 2008
Drawings
Friday, June 13, 2008
La Mariachi (2008)
Below you can read a new story I wrote entitled, "Good ideas and bad women"
La Mariachi (2008)
Good ideas and bad women
It was Sunday afternoon and I woke up from a bad dream nursing a hangover. I checked the call log on my phone hoping I didn’t piss off too many people with drunken phone calls. I wiped the sweat off my brow and stripped to my shorts. I reached for the bottle of club soda that I keep on the nightstand and draw back a good one while I listen to a message from a doll I’ve been avoiding for sometime now, “Hey rooster hope your doing fine, this is Tanya, I was just calling to say ‘Hi’. I think I saw you leaving the Powwow Saloon last Friday around 11. I think it was you. You where driving a silver Taurus or something. Anyways, give me a call when you get a chance alright, bye” Tanya is a girl I met one night while winging a buddy. There were hardly any women that night and for the sake of not letting a night go to waste we decided to talk to the only chicks at the bar. At the end of the night our friends exchanged numbers and since me and Tanya had a somewhat deep conversation about ball bearings and cheese cloth, I felt a little obligated to exchange numbers with her as well. We talked a few times on the phone but I cut the connection after I tried to get her to come over one night and she wouldn’t budge.
I decided to get some serious work done that night so I sat down and started designing some new sculptures. I had a few Ideas I had been playing with for sometime now and tried to put them down on paper. I quickly drew out some quick doodles to loosen up a bit then did a little playing with surface planes and curves. Tried applying them to some figures but could not get them to flow consistently. I wanted to start playing a bit more with light this time around but just couldn’t find anything that satisfied me. I opened up a few books looking for reference, and then did a little meditation. I turned up the radio and blasted some jazz for a bit hoping it loosens me up some. I ended up laying out some good designs but they still required a bit more structure and flow. One of the things I kept struggling with was trying to keep true to my original concept. Many times an artist can come up with a good idea but end up fucking it up by cutting corners. Nothing good ever came out of cutting corners.
A good idea is like a good woman. If you cut corners or have no idea how to handle them they can ruin you. For instance, say you see a beautiful woman at the end of the bar. You build up enough courage in you to go over and initiate a conversation with her. You sit around, have a few drinks, and enjoy each others company. She asks you where you’re from, what do you do, and all that. That’s her way of checking your qualifications and if you don’t live up to them she’s not going to give you the time of day. Now, let’s say you meet her qualifications, you guys go out a few times, you start a relationship, and then after a few months you start getting comfortable. You begin to cut corners on her, stop giving a shit about your appearance, let your gut go, and before you now it she’s thrown your ass to the curve. Then, a few months go by, you try and contact her, and find out that not only has she kicked you to the curve but she’s also found another man and to fuck things up a bit more she’s engaged. Then you turn to drinking and hookers and before you know it you’re ruined. Now let’s look at how this relates to ideas.
You’re sitting around on a Sunday night and you come up with a good idea. Assuming you have the proper qualifications to undertake this project, i.e. proper education, enough research, and funds, you decide to take the initiative and begin working on your idea. So a few days go by, your funds start to slip, then you’re challenged by an unforeseen problem, you begin to cut corners, and half ass everything just for the sake of getting this shit done. You finish your piece and it looks nothing like your original concept. You’ve wasted tons of money on this big pile of shit you created, you get depressed, you forget completely about your idea, and let the damn thing sit in your garage for weeks on end. Then a few months go by, you try and work on that good idea once more but find out that some other artist has already made that idea and done a better job at it. That artist ends up gaining recognition and selling the piece for a ton of money. You grow bitter, depressed, and turn to drinking and hookers. You’re ruined.
On the other hand bad ideas are abundant and easy to find. Just walk into any trashy bar on any given night and you’ll find a bad idea looking for company. You call it up on a Sunday night after 3 weeks of no action. You go on over and dance with your bad idea for a while. A few months go by, your bad idea calls you, and tells you that in 9 months shell probably have ideas you’ll be interested in. Since you don’t really dig your bad idea that much anymore, you end up calling her drunk one night, end up telling her to go fuck her self, and before you know it your bad ideas turn into bad days. This will also lead you to drinking, hookers and your ruin. So don’t half ass your shit.
Sunday, 9:12pm
Tanya: “hello”
Rooster: “Hey doll how you doin’”
Tanya: “I’m alright how bout you? How was your day?”
Rooster: “It was good got a little work done here and there”
Tanya: “That’s nice”
Rooster: “Yeah, hey listen I was wondering if maybe you’d like to grab some donuts or somethin’”
Tanya: “ha, you’re funny?”
Rooster: “what?”
Tanya: “nothing, but if you want to come over, that’ll be cool”
Rooster: “Over your place?”
Tanya: “yeah”
Rooster: “give me 20 minutes”
-Red Rooster 2008
Wednesday, June 04, 2008
Barstool Philosopher (2008)
So I finally finished this piece entitled "the Barstool Philosopher". I tried a new painting technique this time around. I was a bit inspired by early German expressionism and the sloppy drunks that I run into at bars. These awesome photos were taken by my good friend Beth Ashby Ferrara, you can check out her work at, www.fotojedi.com Below is the original story I wrote a few moths ago when I first finished sculpting him. Hope you guys dig it. Safe drinking and sorry to all of you who received my drunk calls and messages this past weekend, cheers!
-Red Rooster
The Barstool Philosopher
The dim light of the bar hides her bite marks on my neck.
My lips are bruised, my shoulders are scratched and I got a knot on my forehead.
Ive got a slight headache from lack of sleep and my sunken eyes burn.
I take a draw from the cold bottle and place it over my knotted forehead as I think about her stupid dog figurine.
"You know that thing is worth over 200 dollars", she said. "...but I got it for 20 at a yard sale from some old lady who didn't know what she was selling."
"You got jacked", I replied.
Her eyes cringed and upper lip stiffened as she punched me on my chest.
I laughed at her sad attempt to hurt me.
I grabbed her slick black hair, pulled her head back and began to passionately kiss, suck, and bite her neck.
She bit my lips till they bled and scratched seven layers of skin off my back.
A Woman like that should be caged up somewhere.
The beer bottles clank, ping, and crash all around me and my pint glass is due for a refill.
I signal the bartender and order me up another Guinness.
In a low lit corner near the edge of the bar, sits the bar stool philosopher in search of an audience.
I recognize him by his forced desperate awkward laugh.
Hes trying to make friends with anyone at the bar but its only a sad attempt to sell his pathetic life story to anyone dumb enough to listen.
He pulls up the stool next to me and begins his sad song.
"Yeah man, I work delivering beers and barely make enough money to make it. My kid is the brightest in his class and I'm going to do what ever it takes to keep him at a private school. public schools in LA are gone to shits. My Wife is threatening to divorce me but is waiting till she gets her fucken car paid off. I'm trying to fuck this bartender here but I don't want her to get attached. Yeah, I know what its like out there on the streets man, I grew up in Pasadena. All those white people hate Mexicans out there but I'm a Chicano and I don't give a fuck. Yeah, I work delivering beer and barely make enough money to make it....you know what I mean man?"
After three beers hes resolved his problems and feels the needs to give me advise.
"You know what man, your young you should save your money and buy a house. My cousin Chayo just bought her house in Riverside. She's remodeling it and then she's going to sell it. Who beat you up?"
"Some girl"
"Aww fuck that I would never let some bitch treat me like that. My wife tries to tell me what to do and I'm like fuck that. I never trust a woman. One time my homeboy Stephen took his son to the movies and when he came back his girl was fucking some black dude. Fuck that if I found my woman with some Negro Id kill them both. I never trust women. But for real man, I'm a nice guy. you know what they call me? Gentle Giant. Thats 'cause I'm big and look mean but I'm a good guy on the inside. You should go back to school and get an education. My brother Rickey got out of jail when he was 24, went back to school and now he owns his own body shop. Its all about making money and fucking bitches. Never get married, that shit just fucks you up. Hey, have you been checked? (for disease) Fuck that homeboy go get checked tomorrow you just never know who these bitches been fucking. I remember back in 92 when the Riots happened me and my homeboy Rigo came up on a Street Fighter II video arcade game and set it up in his grandmas house and charged all the little kids a quarter to play. You see I've always been about making money. Hey, you should go Holla' at that girl over there, she hot foo'. Yeah man, I deliver beer and barely make enough money to make it."
He finally gets too drunk and belligerent and ends up getting kicked out of the bar. The bartender tells me,
"You shouldn't let your friend drink too much".
"I have no Idea who that dude is"
"but you where talking to him for a long time"
"He was talking, I was drinking"
"So, who beat you up?"
"Some girl"
"Why?"
"Because I'm a sculptor and I barely make enough money to make it............."
-Red Rooster 2007
Wednesday, March 12, 2008
Step 2: The Sketch
So next up is the sketch. I usually sketch out my sculptures ahead of time and use my sketch as a guide. I know lots of sculptors who don’t even bother with this part and dive right in. Thats cool too, I just like to plan ahead a little because it saves on materials in the long run and it just makes things go a lot faster when you visualize and know what the end product should look like.
This particular piece is based on the previous story (BIG TROUBLE in little tokyo). Its also a collaboration between me and my friend, a very talented sculptor known as Phil Ramirez. For those who don’t know Phil is one of the most talented toy sculptors in the industry and his work is insanely and ridiculously awesome. I am beyond great full and equally as honored to be working with Phil Ramirez.
So I have designed a frame that will house a sculpture of a woman that is being sculpted by Phil Ramirez. The Idea for this frame is that it will be made up of abstract arms and fists that signify a brawl. Then after I sketch it I take it to a photo copier and blow it up to whatever size I want to. This makes it easier to mock up and figure out how much material you’ll need.
This is the sketch. I’ll up date with pictures of the mock up and armature build later.
The Red Rooster is back! (step 1: The Story)

All right!
Check it, my ass was in a slump for a bit. I acted a little un-Roosterish to many of you. I didn't reply back as often to messages, so on, and so forth. I haven't done anything significant as far as sculpting, just a few political soaps.Which you can check out at
www.dugshop.com
I haven't updated my blog in about 3 months and all that crap. Went on a little bit of a downward spiral for a bit and yes in case you are wondering it did involve a woman.
But the Red Rooster has combed back his feathers, kicked a few vices, and is back with a vengeance! So Beware the Red Rooster baby, for he is not and evil man just a damn good looking one.
---------------------------------------------------------------------------------------------
So people have been asking for a tutorial and to tell you the truth, that shit is hard to put together. Believe me when I say that I will put one together in the near future. For now I will start a very rough step by step process of how I put together a piece starting with a story, leading to an initial concept sketch and ending with the final piece................
--------------------------------------------------------------------------------------------------
step 1
THE STORY (inspiration)
I never took any writing classes nor do I claim to be a writer. But sometimes I just got to write some shit to keep me sane. So I usually get my inspirations from interesting events that Ive experienced here and there. When I create a sculpture its usually an homage to a night in which I learned a lesson gained some new insight or came to a realization. I try to not hold back on my feelings and or my opinions. I don't like to name names either because thats just disrespectful so many times I rename the characters or make them up for the sake of the story. I try and write in essay format and try and use a rhythm similar to this:
explain event number 1
then how you felt about event number 1
explain event number 2
then how you felt about event number 2
and so on and so forth...
Some times when I write out of pure rage all that shit can go out the window so I try and keep my self close to that structure as much as I can. It also helps to read a little, listen to music that will make you think, and shit like that.
This is my most recent story entitled:
BIG TROUBLE in little tokyo
----------------------------------------------------------------------------------
It was the best of times; it was the worst of times…….
A new Doll had been messing with my head again. My job, my relationships, my money, my sanity, it was all hanging off the very tips of my fingers, and my wits. Those endless empty nights full of nothing but cold faced and short tempered women can turn a man bitter real quick and no amount of strippers can cure that. With the new doll my nights had grown shorter and my bed warmer but my self respect had withered and was very questionable. What drives a man to such insane and chaotic cold depths; to give up who he is, for a state of uncertain comfort? Is there always a woman to blame or is it just himself? My name is the Red Rooster, friends' call me "Rooster", as you might expect.
As usual, the phone rings on the weekend only to invite me on another pointless journey into a small dark corner of Los Angeles. The man, if you can call him that, on the other side of the line is none other than Johnny Jihad and his Technicolor dream coat,
"Hey sexy, were heading out to jumbos to drink some beer and give our paycheck away to the strippers."
"I don't know man I've been having a rough week."
"Aww come on Rooster don't be a fag. We'll be there at 8."
I walked into jumbos at half past eight ordered up a hard shot of whiskey and a beer to take the edge off my soul. The relationship between us, my soul and I, is like that of an old, unhappy, married couple. They are constantly blaming each other and neither willing to take responsibility for their actions. My soul is a fucking diva, always demanding attention and only putting out enough to keep me around. Jumbos was not too busy that night and they must have found what was stinking up the bar because it smelled better than the last time I was there. The soft ass hipster drinking a PBR next to me was content with drinking shitty beer because he felt he was keeping it real. But you won't find realism in the beer you drink, the ragged designer clothes you wear, nor the dilapidated "artsy" apartment that you live in. Tyler Durten said it best, "You're not your fucken khakis." You find real life down some dark alleyway at 3 a.m. laying at the bottom of a dumpster wrapped in a blanket, neglected, unrecognized, starved and abandoned giving away its last cry and breath to a city who cares more for its greed driven gentrification than its own sanity; Fucken hipsters. I grabbed a seat next to Johnny Jihad, the one they call tatanka, and Joe. I tossed two of the seven dollars I had in my pocket to a cute doll dancing rather provocative to some Rolling Stones. I thought she was cute, Tatanka thought she was a skank but then again Tatanka is a hard man to impress. So he made it a point to pawn her off on me when she decided to slither over to our side of the bar at about two whiskey shots past the hour. She begins to ramble about everything yet nothing at all in common stripper fashion. She was a tall blonde German girl, her accent was ripe, and her figure was that of an angel; an angel with a pair of tits that guaranteed a one way ticket to hell. I didn't mind her rack being fake but then again they where real enough to touch. After about 2 minutes of me staring at her yams and her talking about how cool my jacket was, she new she wasn't going to squeeze any more money out of me so she got up and left. She must have been a rookie because most girls catch that in under a minute; nonetheless I was grateful for her company.
We decided to leave jumbos and head over to the Frolic room, my bar of choice. I order me up another bud and a round for the guys. The Frolic room is always a "hit or miss" with the chicks and that night it was definitely a miss. The more I slipped into drunkenness the more I kept thinking about that doll that's been messing around with my marbles again. For some reason I had fallen hard for this doll. The more I wanted her the more she avoided my calls. I found my self in a state of "neediness" and "little-bitch-ness". This was quite annoying because I could see my self in slow motion losing my self respect, becoming a sad chump, and that just screwed with my head even more. I should have just dropped her but that feeling of "something special" blinded my efforts. I was being sucked in to her flame and was going to get burned badly. At first she was very responsive to my crowing but I gave her too much and now felt the tables turn. I was desperately trying to hold on and dwelling in the pain of not being able to do so. A man shouldn't give too much value to a woman, she must first earn it. When a woman has you she no longer wants you, and you better hope she's nice enough to leave you and not use you till there's nothing left.
Tatanka had slowly turned into 6 feet 4 inches of sloppy drunkenness and "lactose intolerant Joe" found out what made his White Russian, white. We decided to call it a night. Me and Johnny Jihad stuffed Tatanka into Joes' Corolla and wished the best for both of them as they drove off into the night. Me and Jihad decided to grab some breakfast at this fine joint in little Tokyo called Kouraku. My mouth watered for shrimp omelet covered pork fried rice, bathed in sweet and sour gravy. My eyes rolled back at just the thought of it. I was hungry as a wolf and I howled to express it. Christmas brought a new moon this year and the remnance of it was still felt. I howled at the moon several time as we walked towards Kouraku when one of my howls was interrupted by some cat that ruffled my feathers when he said,
"Hey! Have some respect for the lady!"
As it turns out this knuckle dragger was walking some hot Asian dame back to her ride and saw a chance to prove his devotion for her. You see I didn't feel the need to apologize because I did nothing wrong. I could have probably reasoned with him but where's the fun in that? So I looked him right in the eye and howled in his face and in a tone similar to that of a TV villan I said,
"I'm just having a good time."
Was I pecking at him? Hell yeah I was!
"Oh yeah asshole, how bout getting your ass beat is that a good time?"
And in drunken Red Rooster fashion I replied,
"Don't threaten me with a good time baby…."
The sucker punch felt more like a soft slap and this "Baby Huey" despite of his size, had no weight behind his punches. It didn't feel like much of a fight, as a matter of fact it was kind of funny. This little bitch kept saying some of the cheesiest lines ever. He was probably a comic book geek who finally got to be the pussy ass hero he always dreamt of becoming: CAPTAIN SAVE-A-HOE!! After trading punches with this guy for about a minute, which in all honestly I don't remember one of his punches landing on me, I stumbled and tripped on my own drunkenness. The floor is the last place you want to be when the guy you're fighting is sober and your not. As an added bonus this, Baby Huey called upon Dewey and Louie. That's when the fight finally got interesting. I didn't want to stop fighting even though I was on the floor getting stomped on by three scumbags. Johnny Jihad did what he could to help but I knew very well that we couldn't beat those guys in the condition we were in but there was no way in hell I was going to tuck feathers and run from these chumps. I sloppily threw punches to the wind; I laughed at them and rudely asked them to buy me a shrimp omelet just to piss them off more. They were a joke and they represented all of it; the city, the women, the bullies, my battered self respect, life. They kicked, punched, and tried to gouge my eyes but failed to break me……. so I laughed in their face.
-Red Rooster 2008
Monday, November 26, 2007
"IN THE MIX" show
Been working my ass of to get these babies done in time for the show.
Ill be showing a couple new pieces at this group show. Come on down and say whats up. I'll be hanging out for a bit, then I'll be at the bar next door to Ghetto Gloss. See you Suckas there!
-Red Rooster
--------------------------------------------------
In The Mix
The Effects of Pop Surrealism in Mixed Media
The Group Art Show at
Ghettogloss™
2380 Glendale Blvd.
Silverlake, CA 90039
T 323 912 0008
F 323 912 0011
ghettogloss@ghettogloss.com
This is the way to climax your year
Sataurday, December 1, 2007
Curated By LC of Cannibal Flower and Thinkspace,
Pop Surrealism is defined as: the next generation of the lowbrow art movement,
technical craftmanship combined with creativity,and the attack of illustration and graffiti on fine art.The show is a study of how mixed media art is effected by pop surealism, showcasing sculptures, contraptions, paintings and other various mediums on found items that will lick your skull like a cocktail in the bahamas.This show will celebrate the work of mixed media and all its many varieties.
This Show will be one to remember
come early stay late
Tuesday, November 06, 2007
The Self Interview (part 1)
------------------------------------------------------------------------------------------------
The Self Interview (part 1)
In a converted one car garage in the
Juan Balandran: What was it like for you growing up?
Red Rooster: Well I grew up in the city of
JB: Why did you decide to study art?
RR: I always had a thing for drawing. As long as I could remember I always drew and I always wanted to be better than anybody at doing it. So I always was looking for ways to improve my self so studying art came sort of naturally. I also hated working at the swapmeet and I found art more entertaining.
JB: Did your parents encourage you in your artistic endeavors?
RR: Yeah, but like any concerned parent they wanted me to get a real job… that pays…like the swapmeet
JB: what art school did you go to?
RR: I didn’t really go to art school I took a semester and a half at Mt.SAC city collage then I bounced.
JB: why did you drop out?
RR: because man I needed to start making a living. I joined up with a buddy and his dad and did work as a Laborer for a contractor company. It cost my parents to much to send me to school and my ass was just too academically unfit to apply for any grants or scholarships. Plus most of the crap I was being taught in school was all beginners art stuff and I just grew frustrated with it. I sought out to make money on my own and go to some school like academy for the arts or some private school like that.
JB: What artists influenced you?
RR: shit that list can go on for ever. Simon Bisley had a big influence on me growing up as well as Bart Sears and Sam Keith they where my comic art heroes growing up. Bart Sears had a monthly tutorial in Wizard magazine called brutes and babes. I would cut those articles out every month and collect them in a 3 ring binder. As far as sculptors go, The Shifflet brothers where my first big influence followed by Stanislav Szukalski, and Jacques Lipchitz,. Other classical influences include Modigliani, Rodin, Vangogh, Klimt, Schiele, de Lempicka. Instructors like Greg Smith from
JB: Do you believe in God?
RR: well, yeah. Although I don’t think he’s quite the dictator the churches make him out to be. Sometimes I sit and wonder if god ever stresses. You know like when Jesus was gone for three days before resurrecting. Do you think god was like,” Boy!! where the fuck where you? You where supposed to come right home after the crucifixion but instead you disappeared for 3 days and not even a phone call, you could have been lying dead in a ditch somewhere, muthafucka I was stressin'. I dont mean to yell , but I care about you boy!"
JB: Do you do drugs?
RR: yeah but nothing heavy, just a little medicinal Methamphetamine and prescription Crack cocaine.
JB: What’s you favorite quote?
RR: “I rebel; therefore we exist.” by Albert Camus. Well actually it’s a three way tie because I also like, "abuelita te guarde la ultima papa mojo!!” By that annoying kid in the Spanish Shakey’s pizza commercial and, “Abstract Art: A product of the untalented, sold by the unprincipled to the utterly bewildered”, also by Albert Camus.
JB: Your favorite beer?
RR: well most people think its Budweiser or Bud lite but the fact is that I only drink that shit when I’m hurtin’ for dough. When someone’s treating I like having a little Hefeweizen or Guinness.
(End of part 1)
Monday, October 15, 2007
One of those nights
So Ive been a little busy the past month or so. I was working on a commission, a new piece, and a custom skull for a show due next week. I don't have any info on the skull show yet. Pictured above is a small preview of a new piece I'm currently working on. Its a collaboration/ homage to an artist whose work has inspired me for many years. I will put together a small tutorial to go along with this doll when shes finished. I will debut her at the show I'm a part of in Dec. I'll keep people posted on exact date and time for both shows.
------------------------------------------------------------
One of those nights
I never set out to be a loner it just sort of happened. It was Saturday after payday and I was already hurtin’ for money man. It was 10 pm and my phone hadn’t rung in over a day. I sat around the previous two days with my sketch book trying to draw up some new ideas but the artist block not only frustrated me it depressed me and my gut began to ache for a beer. I decided to hit the Frolic room for the sake of getting out of the house. Their just isn’t anything better than getting lit when your down and out. So I searched for a clean pair of pants on the floor, ironed out a dress shirt, and jumped into my black lizard skin Lucchese Cowboy boots. You know, I’m proud of those boots. I saved them from being tossed in the trash on one of my various handy man side jobs. Some rich dude client of mine threw those things out ‘cause he had nothing to wear with them. I took them home painted them black and polished the shit out of them. Those are some cool boots man. Anyways, I hopped on my motorcycle and set sail towards
A heavy moon, full of butter fat expectations, begged for my bark and howl as I hit the
Well her story was very heart braking and of course, it hit me right in the heart. For a minute there I thought she was after my Lucchese boots but I recognized her tricks and if I where a fool I would have fell for it. I’ve had enough conversations with bar hookers to fall for this one.
I kind of felt sorry for Walter. Did he have any idea or was he just naive? Oh well he looked happy and I’m not the type to ruin a good time. So I went back in, closed out my tap and decided to call it a night. Come to think of it, I don’t think I even had enough money in my bank account to play around with her plus I wasn’t about to fight poor Walter for her. I was better off going home.
I hit “Tacos el Halcon”, the taco lunch truck over on Slauson and Broadway, on my way home that night. You know they make some of the best tacos in
I got home close to 3am. I took off my clothes and turned on the AC at full blast. I lay in the dark as a neighbor’s car alarm blasted all chances of me falling asleep within the following 10 minutes. The dogs down the street began to bark and some annoyed lady screams out her window, “Turn that fucken alarm off!” I chuckle at her. The street light shined down through my window on an old unoccupied cobweb that decorated the upper Westside of my room as I began to fall asleep………..Fuck, I should have brought Walters’ hooker home.
-Red Rooster (2007)